Kernev Štrajn’s book discusses the concepts of alegory, symbol, and fragment not only as rhetorical figures and literary genres, but as textual strategies that imply a certain experience of art and the world. The historical outline of the concepts discussed goes back to the early Christian and medieval notions; in some respects, in contemporary poststructuralist theories that renovate the notion of allegory, it is possible to discern a striking resemblance to the old insights. A chapter is devoted to the comparative analysis od Dante's Divine Comedy and Prešeren’s Baptism at the Savica (1836) with regard to the relationship between symbol and allegory and their genre idenitities. The concluding chapter connects the preliminary findings and indicates how it would be possible to use the concept of allegory in the analysis of contemporary literary texts.
Uvodna beseda
Alegorija in simbol. Opredelitev pojmov in selektiven pogled v zgodovino
Antična in srednjeveška pojmovanja
Razlika med klasično in krščansko alegorično inerpretacijo
Alegorija in verbis in alegorija in factis
Romantika in weimarska klasika. O razmerju med alegoričnim in simbiličnim načinom reprezentacije
Renesansa alegorije v 20. stoletju
De Manovo razumevanje alegorije in simbola
Kriegerjevapolemika z de Manovo teorijo alegorije
Benjaminova filozofija alegorije
Alegorija po Finemanu
Alegorija po Owensu – vprašanje fragmentarnosti
Žanrska problematika in vprašanja fragmenta. Krst pri Savici in Božanska komedija
Literarni fragment
O alegoričnem in simboličnem branju Prešernovega Krsta pri Savici
Poststrukturalistični pogled na funkcijo alegorije v Božanski komediji
Sklepna beseda
Bibliografija
Imensko kazalo
Summary
Publishing House
Založba ZRCISBN
978-961-254-119-4Specifications
paperback • 15 × 21cm • 220 pagesPrice
| not for sale | |
+386 1 470 61 00
+386 1 425 52 53
