In the last few decades, comparative literature has spread even to those parts of the world that it had not reached before. However, at the same time it has faced a crisis in its traditional centers across Europe and North America, which has shaken its conceptual premises, theoretical foundations, and methodological structure, affected its inclusion in university and scholarly institutions, and jeopardized its social status. The discipline responded to this fundamental change through increased self-awareness and a true flourishing of relevant production directed towards fundamental reflections on its identity, the current situation, its genesis, and possible future paths.
Slovenian comparatists have also participated in this line of thought. Some recent results of their work are presented here together with the contributions written especially on this occasion by prominent representatives of the international scholarly community.
The volume focuses on two central themes. The first one is meant to mark the 100th anniversary of the birth of Anton Ocvirk (1907–1980), the founder of Slovenian comparative literature as an independent scholarly discipline: the papers in the first section discuss Ocvirk's academic works and public activity and attempt to place him within Slovenian and European comparative literature. The second central theme involves a variety of issues, which have been also implied in the contextualization of Ocvirk’s comparatism: the relationship between comparative literature and related or competing methods, schools, and disciplines; the conceptual and subject-specific definition of world literature, and seeking the most appropriate procedures for treating it; characteristics of certain “small” comparative literature schools comparable to the Slovenian school; and ideological, epistemological and methodological issues of literary history. The broadest common framework includes the awareness of the contemporary plural or crisis state of comparative literature, the promotion of its independence in the future, and efforts to renovate it on the basis of critical self-reflection.
Darko Dolinar: Pogled nazaj, pogled naprej
Anton Ocvirk, slovenska primerjalna književnost in njen evropski kontekst
Janko Kos: Filozofski, nacionalni in ideološki temelji slovenske primerjalne književnosti
Darko Dolinar: Ocvirkovo pojmovanje literarnega dela
Marko Juvan: Ideologije primerjalne književnosti: perspektive metropol in periferij
Miloš Zelenka: K teoretičnemu pojmovanju t. i. obče literature v obdobju med vojnama (Wollman in Ocvirk in njuno razumevanje van Tieghema)
Tone Smolej: Lucien Tesnière in slovenska primerjalna književnost
Jola Škulj: Temeljne koncepcije slovenske komparativistike in aktualni komparativistični vidiki
Vlasta Pacheiner-Klander: Orientalske literature v programu profesorja Ocvirka za študij svetovne književnosti
Majda Stanovnik: Ocvirkov koncept primerjalne književnosti in Sto romanov
France Bernik: Zbrana dela – temelj slovenske literarne vede
Janez Vrečko: Ocvirkova teza o konstruktivizmu pri Kosovelu
Dušan Moravec: Estetska merila Ocvirkove gledališke kritike
Boris A. Novak: Ocvirkova teorija verza ali kje so časi, ko se je literarna veda prevažala s črnim mercedesom?
Literarna veda med univerzalnim in lokalnim, med literaturo in kulturo
Jan Bessière: Literatura, etika in sodobna vprašanja literarne teorije
John Neubauer: Kaj so ingresivne literarne zgodovine in zakaj jih potrebujemo?
Tomo Virk:Univerzalna ali nacionalna, globalna ali lokalna – ali pluralna primerjalna književnost ?
Zoran Milutinović: Jasno opredeljen pojav in enotna perspektiva: ali je zgodovina svetovne književnosti možna?
Eugene Eoyang: Sinergije in sinestezije: znotrajsvetna primerjalna književnost
Péter Hajdu: Neobeliconove lokalne tradicije in sedanje strategije
Sonja Stojmenska – Elzeser: Kaj pomeni študirati primerjalno književnost v Makedoniji?
Vladimir Biti: Od literature do kulture- in nazaj?
Vanesa Matajc: Soočenje s trendom: primerjalna književnost, kulturne študije, kulturna zgodovina in literarni kanon
Evald Koren: Dama, ki izgine, ali, je literatura v novi primerjalni književnosti in novih zgodovinah nacionalnih literatur resnično ogrožena?
Monica Spiridon: »Nova zavezništva« v digitalni dobi: knjiga, znanost in bajt
Galin Tihanov: Prihodnost literarne zgodovine: trije izzivi 21. stoletja
Imensko kazalo
O avtorjih
Summary
Publishing House
Založba ZRCISBN
978-961-254-089-0Specifications
paperback • 15 × 21cm • 392 pagesPrice
| not for sale | |
+386 1 470 61 00
+386 1 425 52 53
